How’s it bee? is an interactive children’s art song recital. Using theater, dance, puppetry, and illustrations, this enchanting program follows bees, butterflies, and other winged creatures around the garden. Courtney Fly and Rebecca Butterfly also engage the audience in writing a poem, dance, and drawing. The program features stories of self-acceptance, including Prokofiev’s The Ugly Duckling and Lenny the Leopard by Irving Fine. Wonderful Bay Area artists Nidhi Chanani and Kevin Okulolo contribute illustrations and animations for the program.  While geared towards children, the show is for all ages.

Program Notes

As a classically trained opera singer, I am passionate about arts education and fostering music literacy and appreciation.  Through my work in schools around the Bay Area with the San Francisco Opera Guild, I see first hand how eager kids are to perform and create, often despite an outlet to do so.  I have curated this recital to help bring music, theater, dance, and visual art to local Bay Area families in a fun and approachable way.

The multidisciplinary shows that I create reflect my belief that art fosters community and deepens empathy.  Every performance strengthens my conviction that art is not only about personal expression, but about building relationships – both with other artists and with the audiences we serve.  In these times when connection can feel fractured and attention spans appear fleeting, art provides a shared space to reflect, heal, and celebrate our common humanity. My intention with “How’s it bee?” is for us to tap into our inner child, and ask, “How are you?”

- Courtney

The length of the program is adjustable based on age group and can include a butterfly puppet making craft.


Program and Poetry

  • from Six Poems by Emily Dickinson

    Bee! I'm expecting you!

    Emily Dickinson

    Bee! I’m expecting you!
    Was saying Yesterday
    To Somebody you know
    That you were due —

    The Frogs got Home last Week —
    Are settled, and at work —
    Birds, mostly back —
    The Clover warm and thick —

    You’ll get my Letter by
    The seventeenth; Reply
    Or better, be with me —
    Yours, Fly.

  • from Nonsense Rhymes and Pictures, Op. 42.

    There was an Old Man in a Tree (c. 1846)

    Edward Lear

    There was an Old Man in a tree,
    Who was horribly bored by a bee.
    When they said “Does it buzz?”
    He replied “Yes, it does!
    It’s a regular brute of a bee!”

  • Sweet baby butterfly

    Kathleen Mary Easmon (1891-1924)

    Sweet baby butterfly,

    I love to see you flutter by

    High o'er my head,

    With soft white wings outspread.


    I love to chase you round about,

    Which is great fun, without a doubt,

       And I know you do not mind,

    For I am just a Baby too,

    And so you see 'twould never do

       For me to be unkind.

    And shall I whisper this to you,

    The laughing wind doth chase me too,

    To make me run,

    While flow'rs enjoy the fun.

  • Butterfly

    Hilda Conkling (c. 1918)

    Butterfly

    I like the way you wear your wings.

    Show me their colors,

    For the light is going.

    Spread out their edges of gold,

    Before the Sandman puts me to sleep

    And evening murmurs by.

  • The Green Dog

    Herbert Kingsley

    If my dog were green

    I never would be seen

    without a sea-green bonnet

    with an enormous feather upon it.


    Shoes of leaf-green,

    Hose of tea-green,

    Coat of apple-green,

    Gloves of bottle-green,

    In fact, I never would be seen

    except in green

    If my dog were green.


    But, alas! no matter what you've heard,

    The facts are consistently absurd,

    For my dog isn't green,

    And, what sets the matter even more agog -

    I haven't any dog!

  • from Florescer

  • from Bright Little Worlds

  • from Bright Little Worlds

  • from Childhood Fables for Grown ups

    Polaroli

    Gertrude Norman

    Polaroli the polar bear,

    He finds the cold so nice

    He loves to roll in the deepest snow

    And sleep on a heap of ice.

    In icewater he loves to swim,

    And splish and splash and splush

    And mush the cold snow under him

    And snuggle in the slush.

    His favorite dish is frozen fish

    With icicles and spicicles and other little nicicles

    and that’s his favorite dish.

    And if he had his wish

    Just one thing he would wish:

    That all the world were made of snow

    And ice and frozen fish.

  • from Childhood Fables for Grown ups

    Lenny the Leopard

    Gertrude Norman

    Lenny the Leopard hated his spots.
    He covered them over with purple blots 

    And tied his tail in a hundred knots.

    He painted his ears, one red, one blue, 

    And dipped his nose in a pot of glue, 

    And everything else bad leopards do.

    But his mother said,
    “Lenny, I still love you.
    You’re my baby, and I love you.”

  • ‍ ‍op. 18

    The Ugly Duckling - Sergei Prokofiev

    The Ugly Duckling

    Based on Hans Christian Anderson’s story

    Life was serene, there in the village!

    Warm and cheerful was the sunlight, gold was the rye field, 

    and sweet were the breezes all fragrant with hay.

    And in the garden shade, a duck warmed her nest,

    watching and waiting for her ducklings.

    Oh, she was weary, and tired of the labor, of sitting and of waiting there.

    Then at last with a crack, all the shells broke in half one by one.

    Each duckling scrambled out and cried:

    “Oh, how big is the world! Oh, how big is the world!”


    Of all the baby ducklings, an ugly one appeared,

    no feathers, and legs much too long.

    “What an ugly turkey-bird!” said a gossipy bird nearby him.

    One day the little family arrived at the farm.

    “Hold up your heads, my darlings! Point your toes!  

    And salute the duck as she sits so proud!  

    A Spanish duck, proud and noble.  

    Don’t you see the decoration tied around her leg?  

    No one wears that ribbon but the most distinguished.”

    The little baby ducklings bowed down once more 

    and soon they became a part of life at the farmyard, happy and content.


    Dismal, and sad, and so lonely was the little ugly duckling. 

    His life was so awful. 

    Out of the farmyard they drove him 

    and said they hoped the big tomcat would devour him at sight.  

    Hens came and pecked with their beaks; 

    ducks were no better, kicked him away with their feet.  

    And the turkey attacked him, puffing himself up just like a sail.  

    How the poor little duckling cried and trembled.

    And so he resolved to go far away.  Far, far, away.


    Quickly, birds sitting in the trees all rose in a flutter. 

    The duckling reflected, “Is it all because they think I am so ugly?”


    Then he closed his eyes and on his way he sped once more 

    and came to some standing water.  

    Look, there were more ducklings!  

    But they scorned and teased him too.

    “Oh, what a monster!”  

    Where e’er the duckling turned his head the wild ducks quacked and said, 

    “You are very ugly!”  

    The duckling said no word, but bent his head lower. 

    “Don’t think for a moment you’ll marry one of us!”  

    How could they have known that was far from his intention?


    Oh, that was just one of many such mishaps. 

    Such snubs and endless trouble the duckling bore that terrible autumn.  

    And at times he would sit in the rushes and hide 

    and would tremble in panic and shiver with terror.  

    The guns of the hunters resounded through the whole forest.  

    Dreadful to hear big dogs bark in the bullrush right over his head.


    Then the gloomy winter came.  

    Frozen, grew the lake, thickly covered all with ice.

    The ugly duckling kept on swimming, swimming lest it all would be frozen.

    ‘Twould be too mournful if I told the tale of all the pains 

    he bore that terrible, dreary winter.


    Slow went the days until the air grew warmer, 

    the land grew bright in the sunshine.  

    All of the birds were happy, the trees were in bloom.  

    The spring had come!

    Flapping with his wings the duckling quacked for joy, 

    all the winter they had grown so big and strong.  

    Mounting on his wings, the duckling flew to a refreshing pond in a garden fair. 

    Oh, what a beautiful place!  

    Slow came gliding or the ponds where the reeds grew, 

    three grand snowwhite splendid swans.

    And a strange agitation seized the duckling, poor fellow, at their stately appearance.

    If he dared draw nearer to them, would they not kill him these grand white birds 

    when they saw poor ugly grey duckling?

    But better ‘twere to die if they should kill him 

    then to suffer the snubs and rebuffs he had borne in the cold wintertime!


    “Oh, peck me to death,” he whispered softly, 

    bending his head for the blow that would end his sorrows.

    But in the clear water, what did he see?  He saw his reflection!

    Joy, joy! Now he saw no grey and ugly duckling, but a snowwhite stately swan!  

    Swan, swan!  Oh, how were you born with the ducklings?  

    Hatched from the egg of a splendid swan?


    Warm sunlight shone on his head, the water rippled and sang.  

    Swans floating by him caressed him and kissed him.  

    How could he have dreamed of such grand rapture?  

    Was he not once the ugly duckling?

  • There are fairies at the bottom of our garden!

    Rose Fyleman

    There are fairies at the bottom of our garden!

    It's not so very, very far away;

    You pass the gardener's shed and you just keep straight ahead --

    I do so hope they've really come to stay

    There's a little wood, with moss in it and beetles

    And a little stream that quietly runs through;

    You wouldn't think they'd dare to come merrymaking there--

    Well, they do

    There are fairies at the bottom of our garden!

    They often have a dance on summer nights;

    The butterflies and bees make a lovely little breeze

    And the rabbits stand about and hold the lights

    Did you know that they could sit upon the moonbeams

    And pick a little star to make a fan

    And dance away up there in the middle of the air?

    Well, they can

    There are fairies at the bottom of our garden!

    You cannot think how beautiful they are;

    They all stand up and sing when the Fairy Queen and King

    Come gently floating down upon their car

    The King is very proud and very handsome;

    The Queen--now you can quess who that could be

    (She's a little girl all day, but at night she steals away)?

    Well -- it's Me!

Artists

  • A versatile performer lauded for her “fluent musicality” (Opera News), known for her “captivating stage presence,” “excellent sense of comic timing,” mezzo-soprano Courtney Miller excels across genres.  An award-winning recitalist and concert soloist, Courtney is known for curating programs that tell compelling, highlighting works by female composers.  The idea for “How’s it bee?” has been in the making for over a decade and she is thrilled to finally bring this multimedia, kid-friendly program to fruition.  


    In the 2025-26 season, she returns to Opera San José, Festival Opera, and debuts with Livermore Valley Opera as Despina in Così fan tutte. In the 2024-25 season, she returned to
    San Francisco Opera as Warren's Wife in The Handmaid’s Tale, made debuts with Sacramento Philharmonic & Opera as Marcellina in Le nozze di Figaro, and West Bay Opera as Teresa in La sonnambula. This past summer, she returned to Pocket Opera as Elmire in Tartuffe after making her debut as Nancy in Albert Herring in 2023.  Additionally, she has sung roles with Detroit Opera, Florida Grand Opera, Madison Opera, and aboard Azamara Club Cruises.  She is a San Francisco Opera Guild teaching artist.

  • Rebecca Hass is a pianist, composer, collaborative pianist, educator, and creative coach in the San Francisco Bay Area dedicated to creative curiosity and joy. She has extensive experience collaborating with classical performers, groups, and movement artists, including Diablo Women’s Chorale, Piedmont East Bay Children’s Choirs, Bella Musica, Payvand Vocal Ensemble, and Opera on Tap SF.

    With a deep passion for Brazilian rhythms, Rebecca has been part of the Brazilian music scene in the Bay Area since 2019, and performs solo shows of her own compositions and arrangements, as well as with Som Dela, Women Composers Collective (as pianist and co-founder), and other groups. Other collaborations include the Berkeley Choro Ensemble with multi-genre bassoonist Paul Hanson, Echo Chamber Orchestra, and Diablo Symphony.

    Rebecca’s debut Brazilian album, Florescer (Bloom), was described as “a delightful 43 minutes of musical sunshine”, and her 2024 album of original piano music, Bright Little Worlds, is an imaginative, heart-filled collection of 22 compositions in various styles. She is always designing new practices for herself, her students, and her creative coaching clients.


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"How's it bee?" is fiscally sponsored by Intersection for the Arts. Intersection for the Arts is a historic arts nonprofit that provides people working in arts and culture with fiscal sponsorship and resources to grow.

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“HOW’S IT BEE?” is is fiscally sponsored by Intersection for the Arts.

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Intersection for the Arts
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Thank you for your support!

Contributions enable us to reach more organizations for performances, hire more collaborators, pay artists for more illustrations and animations, and pay ourselves performance wages.

Intersection for the Arts. Intersection for the Arts is a historic arts nonprofit that provides people working in arts and culture with fiscal sponsorship and resources to grow.